My blog turns 5 today!
Five years ago, I seriously started with historical costuming. This was in the summer of 2013. Then, in November, I decided to also start a blog. To keep track of my own progress, share what I learned along the way, and provide a platform to interact with other costumers.
My first ‘big’ project, worn for a ball this summer:
I’ve learned so much since then, made costumes I could only dream of at first, and have gotten to know a lot of people through this hobby. I have noticed as well that some of the activity which used to be in blogs has now moved to Facebook and Instagram. I love those as well, for sharing in groups, and quick progress images, but I’ve never considered giving up on the blog. I’ve learned so much from reading blogs by others, and the written medium just gives more opportunity to explain choices and steps taken, which I think is very valuable.
And my last project, at a salon this autumn:
For this post, 5 things I’ve learned in the past 5 years, in no particular order
- There’s no absolutes in history. There’s ‘rarely seen’, and ‘no evidence of’, but it’s nearly impossible to know something was never done, unless it involved stuff that wasn’t invented yet (sewing machines, polyester). There seem to be exceptions to practically every ‘rule’. This does not mean, however, that some ways of doing things were not way more common, or are not better supported by evidence, and just a ‘you don’t know for sure it was never done’ is not a good historical reason for doing something in a certain way (although ‘I really like it this way’ might be all you need to do it). And, the knowledge we have is constantly shifting. We learn more, as a community and in fashion history as a science, all the time.
- Be aware of your own bias. You always take your knowledge and ideas with you when researching. When I was looking for the ‘corset elastique’ I automatically interpreted everything similar as undergarment, because of the term ‘corset’. And in doing so, I disregarded the image showing this garment on top of a dress, until someone pointed it out to me. Knowing more about historical fashion can be a blessing, but it also means you take your ideas of ‘the way it was done’ with you when looking at things. And when doing research, it’s best to try to be as aware of that as possible.
- Studying originals is invaluable. Learning from other historical costumers has helped me so much, especially when just starting out, because this can teach you things about the process of dressmaking that you just cannot get from a picture of a finished garment. But at the end of the day, only the study of originals can truly bring our knowledge forward. There’s a number of things ‘common’ in the historical costuming community, which are so simply because of that 1 existing pattern, or because ‘everyone does it this way’. That’s not an evil, but studying originals is the only place to really bring ‘new’ knowledge into the community. (This is why I love the new Patterns of Fashion book so much, for instance!).
- Costuming connects people. Making garments is pretty much a solitary business, and I definitely enjoy that aspect of it. However, there’s also something wonderful about chatting to other people who have the same crazy hobby as you do, and who are as excited as you are by the same things. (Drooling over original garments, or fabrics, or admiring hand-stitched trim is just so much better together with people who ‘get’ it). I’ve been attending more events this past year, a number either alone, or with people I did not know that well beforehand. I haven’t regretted a second of it, and am looking forward to meeting more people at future events.
- Never compare yourself to others. In skill, materials, speed or output. I sew as a hobby, and that means the nr. 1 rule is: only do it if you enjoy it. Of course, you sometimes have to get that tricky thing done before getting to the good part. But I have a rule with myself that if I really don’t feel like sewing, that’s perfectly fine too. This is my hobby, and I do it for me, and me alone. And at the end of the day, it’s the process that counts, much more than the end result. Looking at what others produces can be so inspiring, and I love it for precisely that reason, because it excites me to start sewing myself. But it should never feel like a race, because it’s not.