After the overview of last year’s projects, it’s time to look ahead!
In the beginning of the year, I want to make a baleyeuse to fully finish my 1870’s ballgown ensemble, to spare the train a bit of harm.
I’m also looking into maybe making a day bodice to go with the dress. I have plenty of yellow silk left and some of the narrow black lace. I really like the idea of making both evening & day bodices for dresses, it opens up a lot of opportunities to wear things!
Aside from my own dress, I’m also helping a friend with hers. The base skirt is done, but I’ll be helping her with the overskirt. The bodice I’ll make for her as well. She’s a beginning seamstress, so the current division of labor is that she’ll do the pleats for trimming and I’ll do the bodice. This is the plan:
Also planned for first half of the year is the red spencer jacket. I’ve been working on it for a while, but it’s a slow progress. Hopefully I’ll be able to finish it next year! A teaser:
I have a whole load of unmade vintage dress patterns, ranging from 1930s to 1950s and I’m hoping to make some next year. For one I’ve already got the fabric, so that one will be first.
After these projects, the plans get a bit more vague. I have several patterns, and fabric for several other projects. What will get made probably depends on occasion and mood. Time will probably also play a role, as I’ll also finish my PhD project next year which means busy times lie ahead!
None of these next ideas concrete in any way, but it’s fun to dream ahead.
One is the red cloak which has been on the todo list for 2 years. If I finish my red spencer, I’ll have a more appropriate outfit to wear it with. (A red wool cloak over a short sleeved ballgown is just a bit weird). That might help.
I also have a gorgeous orange/black silk brocade. I’ve been debating between a bourgundian gown and a Tudor gown since I got it. I’m leaning towards bourgundian now though. As I also just got a remnant of black silk taffeta, I can also now make undergarments. The silk isn’t nearly enough for a kirtle, but it should be plenty to fake the idea of a silk kirtle if I just make all the ‘invisible’ parts out of black cotton. Not HA at all, but practical and a lot cheaper. The painting below has been on my mind for a while. So it would be this, but with black cuffs and collar, and a black kirtle and belt.
Of course, that would also involve a headdress and veil. I’ve never done medieval, but I love the look of them.
I especially like the steeple henins with butterfly veils. Probably the most impractical, but so pretty. This image shows one worn with the same style of dress as the previous painting.
Another project which has been on my mind is a 1660’s satin dress. I love these ‘smooth’ dresses. I also realized I have 4m of cotton/polyester in my stash, which can pass for satin. I originally bought it for a regency dress, but in the end didn’t use it because it was a bit too heavy. Would drape perfectly for this era though, and it’s not really suited to many other eras. So who knows.
Then I got some patterns recently, including the Truly Victorian 1875 Parisian trained skirt. I love this pattern, and really want to use it. I’ve been eyeing black/white striped dresses, and it would be perfect for this. Now it should theoretically be in silk, all cotton I’ve found used during this period was the light colored/sheer type, not really suited for black. But finding silk like that which is also affordable will be very difficult, and I’ve seen plenty of lovely cotton reproduction dresses. So if I do this, I’ll probably go for that option. A design like this would’ve made my 14-year old gothic self very happy in any case. (and still sort of does)
Finally, I’ve been meaning to start on 18th century for a while. Other plans got in the way, but who knows?